Absence

Today on the kitchen table there was a new potato masher, shiny and full of sharp little holes. It looked like a torture instrument…

If I put my brain in the potato masher, my thoughts would come out in strips, steaming, wrapped in the humidity of Lima.

Those thoughts are my daily mash. It’s what everyone calls: eating your brain. But I eat mine as mash.

Today I woke up with that feeling of happiness (I can tell you that I know what it is, or at least I know now) that pleasant dreams leave, where the skin feels like you’ve fulfilled the dream, but the head knows it’s over, that the dream ended and you’re awake, that you have one less dream and it probably won’t happen again…

Let me tell you,

That sometimes, when I’m walking through the streets, missing my cat has made me look for my cat in other cats. I found two black cats. One in a park yesterday that looked at me with the deepest, most impossible street cat love and never approached, even though I kept calling it. Today I met my neighbor’s cat, who is blind in one eye and disarms me, he came to me as soon as I called him and tangled himself around my legs, I gave him some ham I had bought, and then he bit me when I petted him on the side of his blind eye.

(My mother says I should get vaccinated for the cat bite, and I think what’s the point since I’ve been wandering around rooftops for a while, and you have to die of something, if not of love then of rabies, forgive my unhappy phrases, but today I’m under a gray sky that gets darker and darker, but I’m happy, yet gray phrases still sprout from me, heh!)

Today I realized that the absence that hurts is not really absence, but a constant and eternal presence of what we miss, in the form of ghosts so dense they can be touched in everything and that touch us, leaving the living traces of death on our skin, the memory of ice, the forgetfulness that doesn’t exist and is a rock, the pain of emptiness that isn’t empty as we believe but is full of the absence that is not absence but presence, and that’s why it always bleeds.

It’s not forgetfulness that hurts, but memory.

It’s not absence that hurts, but the presence of that anguish.

It’s not death that hurts, but being alive.

That’s what I realized today when I stepped out of the shower, a little while ago when I stood naked looking at the empty mirror.

And speaking of that presence, I can talk about losses:

Since I’ve known you

I have lost many things

this has been

love

under embargo

because I have lost

my clothes

(they still haven’t arrived)

my head and my hat

the heart you took

my nights without startles

and my hurtful truths

I have lost my “never again”

and I have lost my name

because my name in your mouth

I know it sounds different

as if it were a story

I have lost

my eyes in yours

my eyes that see what you see

my words that don’t speak

my lines that draw your name

I have even lost my body

and left it in the closet

waiting for you to arrive

to pat it on the shoulder

and revive it

and I have also lost my fear

I already said it

because fear disappears

when I think about you all day.

 

 

Everything’s over

  1. This phrase changes the meaning of things, I had it in my head yesterday.

It must be because it’s August and no one says anything. Someone wrote to me a long time ago: “August is a month disguised as spring,” and it’s true, but it seems that everything is already over, even the disguise has fallen.

If you go to a bakery and they tell you, “Everything’s over,” you go home with an empty bag, but then you know that the baker who told you that phrase was satisfied, everything’s over, he closed and turned off the light.

A phrase that vibrates inside, everything’s over, and moves in iridescent hues, that phrase seems like a beginning. Everything’s over, we need to bring more.

The flashing lights seem to announce the end.

Everything’s over, I get up and have breakfast, I fill things, everything’s over, everything’s over in the dining room as always alone, I have breakfast late, lunch late, dinner late while watching TV, no news surprises me, everything’s over.

I yawn.

I no longer want to answer the phone, I no longer want to talk to anyone but you, I no longer drink, I don’t go out, everything’s over. I shower, brush my teeth, lie down, and think, everything’s over.

I sleep.

I come back.

It dawns.

And it seems that everything starts from the end.

My life is changing, I know it.

I know it by the noise of that living animal that moves inside. It flaps, it’s awake, almost always it was very calm, it fed without complaining about what I threw at it, sometimes it was just the scraps of my life and that’s why it went hungry and even got sick, rabid and weak it bit and growled at me and without strength, it only had sleep left.

Sleep or die.

The animal has awakened, alive, wet.

Now it’s alert, it opens its eyes with me, it’s awake when I’m awake, we eat at the same table and sometimes I even pet it and it lets me.

Invisible animal, covered in scales, with wide-open eyes and a closed mouth.

It seems to have come back not to go extinct, maybe to reproduce, it knows there are few of its kind.

I let it be and lie down and wake up with it, with the noise of its enclosed flapping, and I open my eyes and let it out.

We go out.

In bed, I think, I’m going to write mentally from now on, without paper or pencil, without a computer, just with my eyes. I write mentally, nothing more and that’s it, I twist, if we had zippers from the pubis to the throat, I would slowly unzip them, my organs painted with words would sprout, now what do I tell you, I wonder, and I keep unzipping, I don’t know, there it all is, I undress and unzip, the zippers are produced in China YKK, it doesn’t hurt as much to open them anymore, I saw it in a documentary, everything comes from one place, meters and meters to open and close people, what did you think, open flies and closed dresses are just nocturnal illusions, meters of zippers made in China to open us up and be able to close everything up to the top.

No one notices. There’s just a noise, a spark, and we scatter with the zipper open.

Behind everything, someone has hidden another thing and so on, my life these days is about discovering those things and so on, infinite pastime of immortal people.

(after all, it seems I am)

Today I met myself (I shouldn’t) and behind there were others who also searched like me, and so on.

That’s how I entertain myself to pass the days without breaking anything, I just turn things around so they change, the cards upside down to change fate, the books from back to front, the bottles upside down, the smoke that goes down and turns into fog, all to see what’s behind everything, and another and so on, and so on.

Everything’s over, I thought once more, the days will now be bright with you here, I smile, I send you a message while the animal under my bed is vigilant, everything’s over, I repeat to myself, the gray, the heaviness of the hours, the harsh justice I imposed in the past, will fade away…

I wanted to write something more open and illuminated, like everything that happens to me outside the bed these days, but I think it came out very closed and dark, not to clash with this weather.

 

 

Possibilities

Tonight we wondered about that possibility:

You, here, only in October.

Which left me with many thoughts: some gray, as sad as those that cloud our vision on a quiet winter morning, others as reddish as that moon you always show me. Today, I got angry.

And I can reaffirm that tonight I was angry, so angry that with just my mood, I could have paved the main road of this city with the boiling tar of my fury.

I can’t conceive the idea of mistreatment.

I don’t usually get angry like that, but today while I was driving my heart, was crossing all the avenues, bridges, and roads. I almost got hit by a tourist van and on top of that, they charged me a toll to travel on a road full of potholes.

With this heart, I can’t get anywhere, I said.

Well, returning to the possibilities…

Possibility 1 (out of thousands)

Monday 11.11.2024

Universe

For a couple of days, I haven’t moved, I remain in the same place, without gesture or spoken word.

I wonder what it’s like to be dead.

I guess it’s like my two dead days: you don’t move but things move and pass before your open eyes, they reflect there, something moves in front of your eyes, you too, but you don’t move, you’re just rotting away, your heart opens up and cries a blue liquid, your guts twist, your bones wear out without you moving, everything moves until you turn to dust.

Dust that will later move in the wind.

(everything is moving)

This morning, I watched through a piece of window how the new day presented itself to me: an open, damp mouth, a dark mouth breathing from the depths of its belly of piled clouds, colors tangled in the light that dripped wet among things, the day breathed with difficulty, slowly drowning in a storm, exhaling gusts of air, vomiting dry leaves.

It drizzled.

The day’s drool slid down the window, accumulated in the corners of my things, in my stillness, spread out on the bed.

The day that was dying opened its mouth to swallow me in a desperate bite before nightfall, like a mouthful of dark stillness, thoughts covered to the eyes with a heavy blanket.

Tears drawing lines on the skin, and I continued not moving, but moving.

Numb.

The universe continues expanding, says the podcast I listen to every Thursday.

Today I listened to episode 434, I hit play, and the universe continued expanding. I left my room with dry lips, a lost gaze, hunger as an excuse to get to the kitchen, stretching out and touching the back of the anger that appeared today and I keep (without anyone seeing) in my pocket, because it no longer fits in the closet.

The anger of a dead person.

The sun had set so low that it lay on my table, next to the clutter of my cutlery, glasses, it lay orange next to my dream and as the hours passed, it died among the hairs of my left arm.

I served myself coffee, two eggs, a toast, and I cut a peach of the season: furry, orange, fleshy, inside a wrinkled seed and inside the seed, an almond and inside the almond, a tree that hasn’t grown.

And as night arrived, I had breakfast with that coffee, those two eggs, that toast, and peach at 2 in the morning. The anger fell out of my pocket, and the universe continued expanding.

Maybe that’s why sometimes it’s so hard for me to get out of bed and throw myself out there, because the universe expands and I with it, everything stretches and the distance grows.

It hurts.

The universe, according to what I heard, is in adolescence.

A difficult age, you and I know it, adolescence and on top of that, expanding, while I ate the remnants of the yolks from my plate with my fingers.

The universe is growing legs, suffering growing pains, its voice is changing in some vocal cord that vibrates in a quasar, it’s growing a beard somewhere in a galaxy, the universe is falling in love, with all its planets in tow, its hormones explode and flutter like migrating monarch butterflies and its effects and destruction.

And the bulk of the population doesn’t know that right now the universe is still expanding.

The universe is to blame for my lack of movement, I don’t go with its adolescent rhythm, which expands and flutters, which rains and breathes. I curl up and sometimes age before the already so worn sky, before the so handled drizzle, before the daily grind, mouths that open and close, night falls in a throat, and so day after day, I age little by little.

The universe that was mine began expanding two weeks ago.

And still, the universe continues expanding and distancing us.

(it hurts)

Everything keeps moving.

 

 

Possibility 2 (out of countless others)

Monday 11.11.2024

Pacient

I spent two weeks in bed, suffering from a memory attack with convulsions and vomiting of forgetfulness, because you can get sick from those things too.

From what little I remember, it went like this: I was in the middle of a room full of people repeating things I keep repeating—repeating and repeating, redundancy intended—every repeated year.

Suddenly, it happened that the words came out of my mouth, repeated, and I kept forgetting them one after another. I said “sky” so many times and so worn out and looked up and there were no clouds or stars, just emptiness; I said “heart” and something withered inside me and my blood silently, without a gallop, stopped holding me up, I was suffocating, I said “sea” and we were left only with dead fish, dark foam, and a lot of mud, I was left with repeated bottomless coffees and the sound of waves that also disappeared, I said “Lima” and the city collapsed in a huge explosion, and everything kept disappearing in my speech, I kept forgetting everything I had lived up to that day, each word devoured my space, each past memory devoured my present until it left me without footing, and then, in front of those people, I collapsed.

I woke up in a bed that wasn’t mine, with a view of a new sky that looked freshly painted because I had already forgotten the previous ones, the lost skies, the page skies, the worn-out skies, and the colors of other cities that I no longer remember either. I felt the touch of the sky-blue sheets like the sky, and I learned to relate words to things, new sensations were reconstructing my memory, the sky-blue with the sky, with the bed, with the sheets, with my newly painted world with a few things in a white and empty room, all new.

A nurse took my pulse and temperature, injected me with memory serum, and told me, “Your heart is fine”, and something beat inside very slowly, faintly, like the sigh of a train floating away from a city that lost hope.

She left me alone in the room, and the memory of so many tears I had was just a blur. It started to drizzle outside, and I dozed off.

They would wake me up periodically to inject me with that memory serum: large needles and colored tubes entered my veins and inside, my blood was refilled with cleaner ink-like liquid, floating over my new and blank insides.

Little by little, I began to recover my memory in that bed, under professional supervision, the memory no longer overwhelmed, tore apart, or swallowed me; it was simply a past movie projected on a television where each patient recovering from memory attacks watched their own movie without feeling like the protagonist anymore but someone else, venom therapy as an antidote, for the intoxication to generate antibodies.

And if I changed the channel, the memory always remained, and I always with everything repeated, like advertisements, cable movies, all repeated, and myself and the usual, my action, drama, comedy, and horror movies fixed on schedules, and if I wanted, I turned them off and I did.

A few days later, I was discharged, the test results said that from so much memory intoxication, I think I can now get over your gaze. I had generated the necessary antibodies to avoid dying from melancholy or nostalgia.

Or anything.

Part of the therapy was silence and confinement. I look at my veins and only have blood, my heart intact, and I am looking at my window, writing new words that are the same but no longer mean the same: now “word of honor” is a suit that will fit me well the day I remember everything again and now words like “memory” will be a part of my computer (of ideas) and “you” the second singular pronoun, alone and without a name, of my repeated and necessary grammar book to teach a foreign language that only tells the truth.

 

 

 

Possibility 3 (and I won’t bother you anymore)

Monday 11.11.2024

Silence

These days, I have no idea what I should do (or not do). I’ve looked at my life and the pages lived two weeks ago are blank, folded into a triangle like the mark of a before and after. There is a past we wanted to write, probably because I knew that two weeks later I would remember everything very clearly. I knew then that the blank pages would not mean forgetting, but rather a mark, spaces to be filled with memory because I also knew that in any subsequent November, any morning, I would wake up to see those blank pages as a sign of something real (though past) that will not happen again, not even in words.

So.

These days I’ve opted for silence.

One might think that silence happens when we have nothing to say or when there is nothing, but my silence is full of many real things that bubble and move somewhere inside me and of which I cannot speak due to a lack of references or beginnings.

The violence of things leaves me in silence, without time (or space) to search for or find in these same things (present or past) the images or words to bring them to the outside and stop being silent, to define them. Everything overwhelms and overflows me, nothing matches my rhythms.

Your last gaze left me in silence. I saw you walk away towards that plane, there was no hug or farewell, perhaps because we didn’t want to exchange our silences.

And now attempting to talk/write about these things that overwhelm me and bubble while I go through this period of silence would be just an attempt to draw them using examples from when you were here, turning them into something else. Thus, trying to express my silence would be an attempt to construct an image that resembles it, but not the same silence or what I live that bubbles inside, it would be something invented or fictitious, but not real.

Something like pain.

I know I’ve been living with a pain for some time. I don’t know where it comes from, what exactly causes it, or at what point it appears. I don’t even know if it’s a pain, but that’s what I call it—”pain”—because it’s similar to the sensation of a knife opening the skin, a violent punch crashing onto my nerve cells, the fall of a body onto a floor of glass. It resembles that a lot, so I call it “pain” because it’s the only word I’ve found among my lived experiences. Perhaps it isn’t.

The knife, the punch, and the broken glass are just fiction, the real thing is always inside, locked away somewhere.

If I remain silent, it’s not an attempt to flee from the real, nor isolation, but rather an attempt to get closer to it, to the real and the only thing I have. Like a silent journey into my marrow to see with my own eyes how the pain happens (while outside, a knife cuts my skin), silence to see the pain and not have to define it.

I wonder—nothing more—where all this begins. If I could find a starting point, it would then be easier to start a path, an initiation, and then move from one side to the other, defining lines and limits, and as a result of this journey, I would have an object before me, an object that I would recognize and keep somewhere as a useful reference for the unknown that will come.

Until recently, I thought that inside me lay the escape waiting to wake up and start a race from door slam to door slam and after all the inexplicable and the silence.

Now I realize that what I thought was an escape has been nothing but an encounter.

Knowing well what is left after the door slam and knowing what awaits you in destiny is not an escape.

Fleeing, I believe, is running away without knowing where from or anything towards a place of which you know neither its location nor anything about it.

(I have fled a few times then)

Being silent allows me to absorb—perhaps in an attempt to capture references to break the silence—all that moves around my senses.

Words arrive in chaos and pile up in front of me in dark heaps. How to take them to place them inside me, to meet that real silent thing and let them embrace in a reunion and align so I can express all that I carry within?

Words that could define something: the harsh expression of my gaze, my clenched fists, my lack of sleep, and even my silence.

Colors that drip from things, flowing like rivers seeking the ocean. How to take them—I wonder—without them mixing into a stain or getting lost in other colors?

I could drink them in small glasses or inject them into different veins, thus filling those empty-sounding words, filling all those empty spaces I’ve been defining with words, lines, and even gestures.

I spend my days alone with myself, listening to things like this, watching how spring moves in colors and there, the words, always the words piling up like my dirty laundry, words that always wait for me (and I for them),

In silence.

 

 

Back pain

Tonight I noticed the melancholy of the weather presenter.

 

I wonder if anyone else has noticed it.

I confess that the bullets and shots throughout the broadcast passed before my indifference without killing it: I mixed them with a plate of meat and vegetables, with a glass of apple juice, so between forkfuls, I saw a revolution, some hostages, a speech justifying a war, and I changed the channel at dessert to watch the ads from other channels.

Advertising never deceives me, because I like to watch it closely. I’m a viewer of so much advertising, and that has caused the opposite effect that the advertiser expects.

So.

I went back to the end of the news, now without bullets or speeches, and I saw the presenter’s melancholy, holding a stick and pointing without looking at the map, to the place where it will rain on all of us tomorrow, or where the wind will strip us of the past, or where the fog will seep into our eyes, ears, pores, and thus we’ll have to start the day cloudy.

The depth of her eyes, with a certain melancholy, reminds me of a photo of you I saw the other day, as if it were one of those lakes she caresses on the map, you sitting, perhaps on a ferry to nowhere, wearing only a denim jacket, and braids carefully tied, which convey the tranquility of autumn.

Oh, yes, sorry, I got distracted by your gaze.

She talked about the harshness of winter, its extended time, as if something were dying, clinging to that rod as if she wanted to perform magic on the geography and precipitation across the country.

Change everything.

Bury us in snow, bathe us in rain, cloud us. Torture us with thunder and lightning (Fortunately, that doesn’t happen here in Lima.).

People say that one recognizes oneself in the pupils of the other.

I noticed the melancholy of the weather girl because these days I have a magnifying glass in my eyes and, in general, my senses are bare, standing and lined up, like you in that photo.

These days, it happens to me that I can hear an ant crying trapped in the grass that I see growing rapidly. (The grass smells like green ink, and when it grows, it bleeds emeralds, making the noise that two vinyl records would make when rubbed against each other)

I hear Misha’s little feet running on my bed, while she looks at me, surely wondering when I’ll go outside, to that world where the cold wind and the hurried life await me.

And so today my back starts to hurt after 10 pm.

WHAT DO WE DO, HEART!

(I call my head heart because I love it), now we have to calm that monster that will accompany us all our lives.

We have to feed it Diclofenac 50mg + Paracetamol 500mg.

Maybe I should have gone out a few minutes earlier, but empathy overwhelmed me with the sad girl from the news.

Here there are no 24-hour pharmacies nearby, and no one gives advice, not even the pharmacists. I didn’t find any open.

So, one tries to cure back pain with alternative medicine.

– Chamomile (doesn’t work)
– Some Netflix series (is a palliative, you stop watching it and it still hurts)
– Raspberry candy (gives you more back pain and headache because you need about 20 to start laughing)
– Chocolate (helps, but it’s a double-edged sword)

Nothing works, and you think that back pain should be like this girl’s forecasts, with a schedule and even winter hours. That way, you live prepared and know where to position yourself. (Like when we were taught as children that when an earthquake happens, in addition to screaming like mad, we had to find a safe place where the school wouldn’t fall on us).

But I don’t know when my back will hurt, nor when the alarm will go off.

As some advisors say, “One has to know their body.”

(To mine, they still haven’t introduced it to me)

Then there are worse advisors who say, “One has to know their soul,” or “One has to know oneself.”

Boo.

So if I know my soul, it surely tells me the movie I’ll see before I die. If I know myself, then why go outside?

Those things.

(And here, the one writing to you starts to cry from pain)

(I close the laptop)

No! It’s just a little lie! (maybe not)

Like kaleidoscopes and stereograms.

Superimposed little things.

 

Heart

Have you ever thought that if you want to hear the heart of the earth you’ll first have to drown at the bottom of the sea

 

(?)

there
you can press your ear
to the living earth
to the drowned wound
and finally hear its heart
burning
the submerged magma
the fire
surrounded by water

the earth is just a hollow
filled with water
stones
mud
(you)
(me)
one thing inside the other
colliding
melting

the earth served in a bar
a glass of vodka
the heart that burns
a cube of fire
trapped in ice

I’ve spent nights
digging through the sand
the rocks
the mud
with bloodied hands
trying to reach the heart

(yours)
(mine)
(ours)

searching for the treasure
the end of the tale
the heart
the cornerstone
the center

when suddenly I realized
it’s pointless
to break your hands
to lose your nails
and exhaust your strength
to reach that center

all it takes
is just
to close your eyes
sink
fall to the bottom
stop breathing
die
to hear the heart
and know it’s alive
and burning

 

 

Sleeping Without You

I haven’t come to say

that sleeping without you

can sometimes be

as sad

as the war of silence

as still trams

as burning loneliness

as broken dolls

as July fog

as dead fish

and sick cats

 

 

(war)

because speaking of the without you

is a long story

as long

as those infinite wars

that begin with a god in the middle

and two sides

almost like that love in the middle

and you and me on the sides

waiting for the war

(that’s why this never ends)

this is how it is without you

bitter

like the shots of those wars

with their drunken gods

and their orphaned children

the without you is that cruel

like the notion of our delayed time

and the lie of forgetting

the without you is the prayer of the condemned

sitting in a park

who knows no doctor

who knows no saint

nor hope

nor faith

nor the other sisters

because the without you

is an orphan of everything

waiting for you to come

and recognize yourself

in me

in the heart you molded

in my scar with your name and surname

this is the without you without a home

a vagabond

moving

through places

and unused time zones

sleeping in asylums

listening to the laments of the sick

without sunsets

nor doves

nor nurses

this is it

the without you with you

in my life without you

always with you

it’s terrible

because it’s simple

like a child’s drawing

badly done

and in pencil

without ground

nor house

nor tree

nor background

so simple

without shadows

like all the hotels

the carnivals

the fairs

the concerts

the beaches

the cities

all

without you

so simple

like seeing a child cry

or a bird walking

calm

with broken wings

the without you

is my empty first aid kit

is like me with a fever

lying on the floor

delirious

turning into water

because also the without you

inhabits my palate without you

like an empty cathedral

with walls that cry

my dark blood

the without you

in my heavy eyelids

because they don’t want to see

the without you

drawn in my dark circles

in my steps

in my sighs

in my yawns

in my heartbeats

that’s why

I didn’t want to talk about the without you

because as you see

it’s very long

complicated

absurd

it doesn’t end

doesn’t sleep

and doesn’t breathe

like the hours

like confinement

like me

before sleeping

like the gallop

in the ride

without reins

towards sleep

towards the past

on the back of an extinct dinosaur

looking for our future

(ours)

in the rust

in the walls

in the postcards

in the dawn

in the city that never slept

like diving in the sand

with eyes open

this is how it is without you

like this peace that never comes

for millions of hours

waiting in that airport

for so many journeys

without you

that without you

that never sleeps with you

and that you

that never comes

to this park of my vigils

to sleep on your knees

on a bench

my life

(ours)

though perhaps

it is

just

a nap

Grandmother

My grandmother died when I was 27 years old.

I think at 27, you feel everything with tremendous intensity.

Also at 43, but at 27, you’re still young and at the same time transforming into a thirty-something adult.
You feel everything with those two parts, the young side and the new adult side.

The other day, I remembered her while Julia was telling me about her grandmother, and I felt sad,

I remembered how my grandmother ate oranges.
I eat them just like her.

I don’t cut them into quarters, but I make a cut at the top, like taking off a hat, and then I squeeze them between my hands and drink only the juice.

Then, if I feel like it, I open them and eat the pulp.

When you cut them into quarters, you have to eat the pulp, but not this way.
I’ve never seen anyone else eat oranges like that, except me, like my grandmother.
I also played checkers with my grandmother.

I remember the first time I beat her, I felt like I had defeated a giant, but then I realized that maybe she was getting old.

I loved watching TV with her. I would lie at the foot of her bed crosswise, with my legs dangling from her, and I also remember her hands. My mother’s hands now look a bit like hers.
I also remember my grandmother picking me up from school when I was in primary school.
And I remember that in winter, when she put a sweater on me, she would say: hold the cuffs of your sweater so they don’t ride up and bother you.

My grandmother also said that when you choke, it’s good to raise your arms, and she would say “let me see” when she wanted to know more about something.
I could write so much about her.

I just wanted to say that the other day, I remembered my grandmother.

Party

I am sitting on the sofa in my living room, and for a second, I felt very strange because I realized something…

I realized
I was sitting
with my right leg crossed
—like a gentleman—
over my left leg

with my right hand
on my right knee

My right hand
holding my face
and my arm
and my right elbow
buried on my right thigh

holding
the weight of my head
and all these thoughts

sitting like this

alone
at 4:25 in the morning
it’s strange

and it’s strange
because I feel
like I’m a guest
in my own living room
when no one sees me

I pose

and I feel strange

because I should stretch out
lie down
sprawl out on the sofa
with all of this

however

I feel like a guest
at a party where no one showed up
just me

I suppose
I feel this way
because maybe
I want someone to see me
or be seeing me

because

maybe I want
with all my might
you
right now
at this moment
to share my living room with me

and then

I want to serve you coffee
or whatever you ask for
or whatever I have in the fridge

Coca Cola
beer
orange juice
iced tea
vodka
chocolate milk

and I want to tell you
sitting in this pose
with my legs crossed
like a gentleman

that I’ve lived a lot
and that I’ve been many people
and maybe that’s why
I don’t recognize myself in my living room
on a day like today

I want to tell you
with my hands on my knees
that sometimes one is afraid
that the mistakes made before
will stain the freshly washed shirt

that we have to put on tomorrow
early
to go out into life

I want to tell you

while you hold your glass
that sometimes I write
because it keeps me company
and because it gives me strength
because it changes everything
and sometimes even heals

—And do you write?

I want to ask you
and I want to know
that if when you write

you laugh
cry
lie
or always tell the truth

I want you to tell me
that if by writing
one forgets
or remembers more

I want to tell you anything
that I like rye bread
that I sometimes have insomnia
that I’d like to write a letter to my father
that I never failed any course in school

I want to tell you that my plant that died
is coming back to life
and that I like coffee
and that my pen ran out of ink this afternoon

I want to serve you more things in your glass
so you don’t die of thirst
or get a lump in their throat
because now I want to tell you

that when I fall in love

—Does it happen to you?

I start taking things out
one by one
and leave them on the table

—Look, here next to the coaster

the hair
the eyes
the mouth
the tongue
the skin
the flesh
the bones
the brain
the heart
the blood

and all of that there on the table
becomes my words
that go far away
and then leave me here
with just silence

I want to tell you

that for me
love has many forms
but there’s always one
—like in everything, right?
that we like more

and I like
that love that takes everything from you
and doesn’t hurt you
nor kill you
neither obligates you
nor reproaches you

—I like that love that truly knows you

that love
I like more
that love that sleeps with you
dreams with you
wakes up with you
that love that will always love you
that love that doesn’t ask for anything
that doesn’t even ask you
to stay
when you leave

and I want to ask you

if you want to drink more
and keep listening to me
because I’m going to tell you
that I want to talk about pain
that resembles fear
mistakes
the past
the done
what can’t be changed anymore
and what sometimes
can’t be escaped

talking about pain
about what you told me
I want to tell you
that I hope without hope
that one day
the pain doesn’t hurt some
but also
I hope without hope
that others
feel that same pain that comes from them
without hurting at all
so I hope without hope
that it hurts them so much
just so they know
what it feels like
when something hurts
and doesn’t kill you

and in the end, I want to tell you
that in my house
sometimes
in my living room
at dawn

I find myself sitting
with my legs crossed
with my torso upright
with my hands resting on my thighs

a guest at the party
that celebrates
the confirmation of my life
the birthday of my ghosts

my days sometimes with insomnia
the baptism with other names of my past losses
a surprise party
where I suddenly arrive

and everything screams at me
and the party starts
with the piñata
full of things
that breaks

and everything crumbles

from within

Cat

A few days ago
I reincarnated
as a cat

my steps made no noise
my eyes were deeper
my body more agile and slender
my fur longer
my senses sharper

I spent my time
observing everything
from a corner of my house
sometimes staying still

looking under things
waiting for something to come out
to swipe at it
and catch it with a paw

I shed fur
always slept on the sofa
with the TV beside me
the warmth lulling me
ate canned fish
or raw things
always sniffing them
before biting

when I was fed up
I would stretch out on my paws
then arch my back
extend my claws
on a wool blanket

if I got bored
I would wander around
at night
going down stairs

– without making noise –

hunting vermin
gnawing on them
drooling on them
then spitting them out
leaving them lying around

sometimes I returned to the places I left
lay by the window
to look at the sky and the moon
to think about rodents
to remember rooftops

I dreamed of tangling between your legs
letting your hands touch my back

just for a while
then I would go to the roof
to take inventory of my lives
of the ones lost
of the ones remaining

thinking about jumps into the void
about fast cars
about poisoned fish

and I dreamed of the day you would come
and I waited for you
like I waited for those things
that come out from under the furniture

I always waited for you
everywhere
I waited for you on sidewalks
on rooftops
at the end of the hours

I waited for you

on the edge of the ledge

I waited for you

when I had already opened
all your boxes
deciphered all your codes
solved all your mysteries
drawn all your lines

when I already knew
all your words
I jumped

you were
on the other side of the roof
standing

in a black coat
a nice horror movies t-shirt
looking at the sky
with the sea beside

and I jumped
and became
what I am now
what no longer waits

nor claws
nor observes
nor hunts
nor thinks

what only remembers
that it lived as a cat
six lives

the last one
it will lose
with you
that day
in a hug

Balance

I always wanted to learn to play the piano
and to bake a soufflé without it deflating

I always wanted to make soap bubbles
and put smoke inside them
my smoke from that hidden vape
that once came and is now gone

Like love and heartbreak
like almost everything

I always wanted to make a kite myself with tissue paper
and fly it with one hand
and in the other hand
hold a little girl
with her gaze lost in the sky

I have always also wanted
to sing a love song in an empty stadium
to climb a very tall mountain
and bury there so many letters I once wrote

I always wanted to learn to hold back tears
and to let out laughter
I always wanted to learn to make knots
to paint with watercolors
to bind book covers
with threads that don’t tangle
that cut without pain
threads that are colorful
threads
about which I know a lot
and nothing

I always wanted to learn to cook
to dance tango
to take photos
I always also wanted to be able to fill an agenda
and stop using post-its
I always wanted to write a letter to my father

I always wanted to have a tattoo on my arm
to touch the spines of a porcupine
to extinguish candles with the touch of my fingers
to ride an elevator up and down a thousand times
to feel my stomach stick to my heart

I always wanted to toast with forgetfulness
and not think about memory during New Year’s dinner

I always wanted not to fall in love once more
and I always wanted to fall in love again
once more
like always
so many times
perhaps the real
will be this time

I also wanted to have long hair
longer legs
a deeper voice
the perfect accent

I always wanted to take a plane without luggage
not to think about stamps, permits, and lawyers

I always wanted to have a vegetable garden
and make a summer salad with it

I always wanted to learn to ski
and to play poker
without an ace up my sleeve
and I always wanted to know
if there were culprits
if there were traps
or if we’re all simply innocent
like children playing
at all this
which sometimes
on some days
while I watch the sea
becomes nothing

And I always wanted
for someone to come from far away
wanting a hug
I want to see their handwriting
to laugh at my voice
to learn from their quirks

And I always wanted
to write a numbered balance
on a holiday like today

But to this day
I don’t know how to play the piano
I don’t know to dance tango
I don’t know to make soufflés
I haven’t climbed that mountain
and those letters I burned on the rooftop of my house
one visiting day
one of so many Decembers.

And I still haven’t learned to paint with watercolors
or to paint the drizzle over the desert
or my swollen heart

Although I carry so many things
painted under my skin.

I don’t have long hair
I have a voice almost like a student’s.
and I always travel on round-trip flights
with a passport full of stamps
with a suitcase loaded with useless things

And I still don’t know how to play poker
and I might have the face
while I hold back laughter
when I explain math and don’t believe any of it
I might have the poker face
when I look in the mirror
of empty elevators
and tell myself that forgetfulness is possible
but those letters to my father
tell me it’s not

Even though sometimes
I can’t hold back the tears

and I keep falling in love
every time dawn breaks
only to go to sleep thinking
of the shape of your eyes
and wake up again
with a slow song in my head
and without you anywhere
and not care about anything
not even you

And so far
I don’t write an agenda either
I don’t write anything
except this
which isn’t even
a numbered balance
like the one I always
wanted to write
on a holiday like this